Forbidden by Ted Decker and Tosca Lee

Forbidden by Ted Decker and Tosca Lee

forbidden

Terrible.

So why even bother to write a review for In Search of the End of the Sidewalk? I’ve read tons of other books that would rank higher than this one. And yet, although it was terrible, it was still okay. Facing a fourteen hour flight from Los Angeles to Shanghai (and then several more hours to Chengdu), I was looking for something mindless, but something that would pull me in enough to make hours fly by without my noticing them. Forbidden did the trick.

Decker (with Lee) created a book that is smack in the middle of the genre I like to call DanBrown. (No spaces. It stands alone as a single noun.) We all know DanBrown as a genre. There’s mystery and intrigue. There are religious overtones. There’s a love story. There’s less than spectacular writing, but enough of a plot that the reader ignores the craftsmanship for the story.  Forbidden has all of the elements to some degree or another.

Forbidden tells the tale of a future society in which the world is ruled by a single government, emotionless, other than fear. All feelings have been wiped out, leaving only fear as a way those in charge to control the masses. As the time comes for a new sovereign to be placed in power, a remnant of those old emotions that were thought to be extinct, again finds a way in to the population. While only a small handful of citizens are able to experience the wider range of feelings, those who are touched realize that love is not only a beautiful thing, but it can also bring pain greater than any they could imagine.

The basic plot is there, but as a whole, Decker didn’t develop the society to make it believable. As I read, I wanted to know more of what it was like to live in a society void of feelings. The reader barely gets a glimpse at the world before the first character reverts to a state of feeling. Rather than focus so heavily on the royals of this period, I would love to have more set-up of the average people living without feeling. I would prefer a book that went in the direction of a dystopian 1984-type world than the DanBrown genre I got.

Maybe I am asking too much. To be fair, I bought this book off the mass paperback stand at an airport kiosk. I didn’t buy it for its literary appeal, but rather its ability to waste away a couple of in-flight hours. Which it did. So, while Ted Decker’s (and Tosca Lee’s) Forbidden earns a measly one shell on my rating system, I do give it slight props for helping pass the time at 30,000 feet.

books shell

Bend, Not Break: A Life in Two Worlds by Ping Fu, MeiMei Fox

Bend, Not Break: A Life in Two Worlds by Ping Fu, MeiMei Fox

Ping Fu’s story is, sadly, not a unique one, at least as far as her time in China is concerned. Where she breaks from the masses is with how she turned those struggles and her horrific treatment into values that pushed her to succeed in the US, a world away from where she was raised. She takes trials that could break even the toughest spirit and finds a way to graceful transition that pain into determination and success.

 

I loved the organization of this book. Ping Fu (along with MeiMei Fox) interweave the stories of her childhood in China with her experiences in the US, not telling a chronological tale, but rather a story of cause and effect. This distinctive take on the memoir helps make the book stand out from all of the other personal stories on the market today that go from playful childhood to adolescent angst to adult trials and tribulations and finally some sort of personal triumph.

 

While Ping Fu’s story of her time in China fascinated me, and I enjoyed her early years in America, I do have to say that the discussions of the 3D technology left me wanting more. Maybe it is my lack of technological prowess, but even with the explanations, I had a hard time picturing exactly what it is she was creating. The other part of the book that didn’t resonate with me was this desire to start a company, any company. Entrepreneurship is a keystone of the American dream, but I always imagined that folks who started companies did so because they loved the product it created; they had a passion for whatever created the foundation of the company. But for Ping Fu, it was almost as if she wanted to get in on the dot.com boom, regardless of the product. Over time, I felt like she came to be truly invested in her 3D design, but that it wasn’t the reason for the company. And maybe this is true of many small business people- that it is about being in business, not which one specifically.

 

The thing that most impresses me about Ping Fu is her attitude. If anyone has a right to be angry and bitter, it is her. And yet, throughout the book, she never talks ill of her birth country. She recognizes the bad- there is no glossing over that, but she reconciles the anger and uses that passion to push herself to greatness. The same can be said of her business contacts. While she doesn’t sugar coat the world of technology and we see her frustrations with certain people/events, she never speaks badly of those people, choosing instead to take the high road and look at situations from a variety of viewpoints.

 

This book is an interesting mix of personal memoir and business self-help, but ultimately, it works. I would have like to see more of a focus on her childhood and early days in the US, as for me those were the most interesting parts, but I can see where other readers would be drawn to the details of technology and entrepreneurship. Ping Fu’s Bend, Not Break: A Life in Two Worlds, earns a solid 3 shells!

(With the computer difficulties I am having, I can’t find a way to actually put three shells on the page. Here is one…imagine the others!)

 

 

MWF Seeking BFF: My Yearlong Search for a New Best Friend by Rachel Bertsche

MWF Seeking BFF: My Yearlong Search for a New Best Friend by Rachel Bertsche

Friendship is a tricky thing. When you are young, it is all about who lives in your neighborhood or who is in your class at school. Kids, for the most part, are good at finding connections within those preset groups. One you get in to middle school and high school, friendships are much more chosen. Kids look outside the few houses surrounding theirs or their homeroom and seek out kids in the school with similar interests or backgrounds. And by college, while your dorm mate might be your BFF for the first few weeks, you quickly find others who are studying the same things, involved in the same activities or hanging at the same places as you do. Your friendship net is able to cast much wider than ever before.  But, by the time we get to be adults, it seems like we lose a bit of our ability to automatically connect the way we did as kids. It can make finding friends, especially close ones, tough to do.

That’s the premise that Rachel Bertsche started with in MWF Seeking BFF. She was new to Chicago and looking for girl friends. She had a wonderful husband, but wanted the chit-chat, reruns of Glee and mani/pedi dates for which a husband just doesn’t cut it. With the need for new girl friends, Bertsche went on a year-long quest to add to her friend Rolodex. She committed to “date” fifty-two girls over the course of the year, hoping to make some genuine connections along the way.

When I first picked up MWF Seeking BFF, I thought I was in for another blogger turned memoirist book. (I have to admit, I love this up and coming genre.  There is something to be said for someone who gains a huge following online and then is able to translate it on the printed page.) And the book is a memoir, but it is more than that. There is a touch of self-help thrown in and a whole lot of research on friendships, along with the humor and storytelling that I prize in these types of books.

Initially I was very turned off by the research included in the book. To me, “memoir” doesn’t scream quotation citation and reference checks. And, to be honest, Bertsche’s use of the research is a little choppy at times. There were moments, mostly early in the book, that I felt like I was reading the world’s longest 8th grade research paper. (Believe me, I’ve read enough of those to know what I am talking about.) The transitions from her story to the quotes by scientists and sociologists were not always the smoothest. It felt like she was told her had to have a certain number of citations, and by golly, she was going to get them.

But, once I got used to this rather unique writing style, I really tuned in to the book and enjoyed it. Rachel Bertsche is just a few years younger than I am, and having recently moved to the other side of the world, (with many more such moves in my future) I get where she is coming from. At 30-something, it isn’t easy to leave behind your BFFs and make new friends, to basically start over in the friend department.  I found her discussion of different levels of friends to be spot-on and her tales of breaking the ice with new person after new person sounded rather familiar to me.

This book was originally recommended to me by one of the members of my book club in Washington DC (and fellow blogger in the world of Foreign Service- you can check out her adventures in Mexico City here), and would have been the *perfect* read for a book club. After finishing it, I am super disappointed that we didn’t get to read it together and talk about the struggles of friendship as an adult. MWF Seeking BFF: My Year Long Search for a New Best Friend by Rachel Bertsche was a fascinating book, in which I saw a lot of my current situation reflected, which earns it a very strong:

Bossypants by Tina Fey

Bossypants by Tina Fey

While I am a big fan of literary novels and an occasional reader of non-fiction (more in the last few years than prior to my Peace Corps service), I had a real soft-spot for this new genre of comedy/memoir book that seems to have sprung up in the last few years. (Now that I think about it, maybe it has been there all along and I am just rediscovering it. I remember pulling dusty Erma Bombeck books off the shelf in our family room at home and devouring those during naptimes, when I didn’t have to sleep, but I did have to entertain myself quietly so my parents could have a few minutes of sanity each afternoon, all summer long.)

There are many things to like about these comedy/memoirs. The chapters are usually rather short, which are perfect for reading in a bubble bath or the taxi on the way to work. (Who ever thought a bubble bath and a taxi in Chengdu would have anything in common?)  Also, the chapters, while all tied together, stand alone, making it okay if the books sits on my nightstand for a week or two, unread, because I somehow picked up another book and haven’t made it back to the first.  Often times there are pictures or charts or comics to break up the various sections of the book, which let’s face it, even as adults, we like to see.

I was excited when I heard Tina Fey had a new book, Bossypants, coming out soon. I guess not excited enough though, since it took me over a year to actually get my hands on a copy and read it. In retrospect, I have to say that that is okay.

Tina Fey is awesome. I loved her in “Weekend Updates” on Saturday Night Live and her Sarah Palin was spot on during the 2008 presidential campaign. But, the book wasn’t everything I ever hoped it would be.

It was funny, at times. It was entertaining, at times. But, for comedy, it seemed to take itself a little too seriously, at times. There were points where I felt like I was getting a lecture about being a proper feminist, about how females can be funny, can have jobs and families, their cake and they can even eat it too.

I’m living the life I want to live. I don’t need Ms. Fey to give me a self-esteem boost. I just need a laugh after a long day of gray skies.

Don’t get me wrong, I’m not totally panning the book. There were great parts to it and it did make me laugh. I loved hearing the backstories of the path that lead her to producing an award winning television series and some behind-the-scenes peeks at SNL. I especially got a kick out of the chapter about when her mom gave her the “special” booklet about becoming a woman, which had three best friends chatting with each other about their changing bodies. I clearly remember getting a similar pamphlet in the sixth grade, after sitting through a truly horrifying presentation by the school nurse, in which three flowers are going through “the change” and discussing what is happening to them. (On a total tangent, but are the flowers as main characters a snarky nod to “the birds and the bees?”)

Maybe I went into this book with a misconception about what it was. It isn’t really a memoir in the sense I expected, but rather a comedic look at the winding road required for women to be successful in a male-dominated field, like comedy. I would offer the book to a friend, for sure, but I would also warn them that it isn’t just a laugh-along look at the life and times of Ms. Tina Fey. It attempts more depth than that and definitely achieves a sharper edge. Overall, Bossypants was a great break from the longer novels and more intense non-fiction books that have been on the top of my reading pile lately. Tina Fey’s Bossy Pants earns a solid:

 

I’d Like to Apologize to Every Teacher I Ever Had by Tony Danza

I’d Like to Apologize to Every Teacher I Ever Had by Tony Danza

Schools and teachers are a hot topic in Idaho right now, as the November ballot includes Propositions 1, 2, and 3, which deal with a variety of education related issues. As a registered Idaho voter, former teacher (although hopefully I’ll be back in the game at Thad’s next posting) and concerned constituent, I’ve been watching the battle between the sides rage this entire fall. (You would think being in China would put me out of that loop a bit, but at least the Pro-Props 1,2 and 3 side seem to have found me. In the last three weeks, I’ve gotten nine of the exact same flyer from their group. Nine! The same flyer! My goodness. Whether I agree with the position or not, sending me nine of the exact same piece of literature is going to do little to change my mind folks.)  With schools being on the forefront in many states this season,  I thought it would only be appropriate that I jump back on the book review bandwagon with an education-related review. (It has been a while since I’ve added to my Book Musings category, not because I haven’t been reading, but it has just fallen to the wayside between the move to the other side of the world, a new job, and finding my place in a new community. But, I hereby declare that book reviews, shell-rated and all, are back!)

Tony Danza is not someone I would expect to turn to for insightful thoughts on education reform and the realities of classroom life for teachers, and yet, like with so many things in life, I was pleasantly surprised. In his new book, I’d Like to Apologize to Every Teacher I Ever Had, he takes on the role of a teacher in a tough, urban school in downtown Philadelphia. After being fired from his latest Hollywood role, that of a daytime talk show host, he was looking for a way to give back to his community and seriously considered the Teach for America program. But, I think the limelight is just bred in to some, and he found a way to mesh his California-career with his Philadelphia upbringing, in the form of a documentary that is filmed over the course of a year teaching high school English.

Skeptical yet? I was at this point! I imagined him going in for a few weeks, doing bit parts and then moving on to the production and selling of his latest film-creation. But, while I do take issue with parts of the gig, after reading the book, I can see how genuinely dedicated he was to his role as a teacher and how touched he was by his students. (He taught a single English class, granted, it was a double period, for a year. He also did some other duties around the school, but the strain that shows from his single class of students needs to be multiplied, as teachers don’t get to plan for, teach and review work for a single class a day.)

Danza faces the realities of many teachers in America today. He must find a way to get his students to embrace great literature when they prefer the crass rhymes of less-than-stellar role models they hear on the radio. He must teach his high school students to communicate effectively, through written and spoken word, when they constantly revert to the LOLs and OMGs of modern-text-talk. On top of this, he learns that teaching a subject area is only half of the battle educators face each day. He soon sees that his kids are lacking in positive role models at home, that they are coming to school hungry and tired and that they don’t dare dream, as they’ve seen too many dreams crash to the ground and die.

I am probably partial to Danza’s newest work because he spends his year in an English classroom, something I am missing right now. But, his book is full of touching moments, but also very real, tough moments. I’d Like to Apologize to Every Teacher I Ever Had should be on the top of Christmas lists for all the teachers in your life (they will understand and appreciate his perspective),  as well as all of those folks who think a few laptops and online classes are the solution to crowded classrooms and not hiring enough trained, certified and experienced teachers.  I’d Like to Apologize to Every Teacher I Ever Had  by Tony Danza earns a solid:

The Paris Wife by Paula McLain

The Paris Wife by Paula McLain

Hemingway is a divisive figure in literature. Some people love his style and try hard to emulate his unique way of writing, while others are turned off by the seemingly mundane details included in each chapter.  But, whether you love the man or hate the man, Paula McLain’s The Paris Wife is a book worth picking up, as it shows an earlier side to the man who would change American literature forever.

Hadley robs the cradle when she marries Ernest, a man eight years younger than her. But, after living a life of coddling and seclusion, and one where she was staring old-maidhood in the face, Hemingway paints a picture of a future filled with adventure and society and excitement. Against the judgment of their families, the two marry and soon decide to move to Paris, where Hemingway can work on his craft in the midst of other artists. While they are portrayed as being deeply in love, I have to admit that the dialog expressing this love tended to be a bit over the top and stereotype-ridden. At one point Hadley says, “Did you ever think it could be like this?” I felt like I had been thrown into the cinematic debut of Nicholas Sparks’ latest romance.

Paris in the 1920s was a place where traditional marriage was no longer looked upon as sacred, at least the Paris of the Hemingway coterie. Within their circle of friends, extra-marital trysts were common and ignored. Apparently, if they were not openly discussed, they were not an issue. The Hemingways fare well for a while, but after the birth of their son, as pressure mounts on Ernest to become the published writer he has always dreamed of being, a woman Hadley considers her friend wedges her way in to their relationship, soon making a mess out of what had been so strong. The book actually begins with Hadley discussing the disintegration of her marriage, so there is no spoiler alert needed in saying that what started as roses and kisses and long letters morphed in to angry words and late-night fights and a parting of ways forever.

Getting an inside look at Hemingway’s early days is fascinating and was enough to have me hooked throughout the length of the novel. There were times where I thought that if the book had not been based upon a writer whom I enjoy reading and had not been as well-researched as it was, I would never have made it through as a simple novel. Hadley as a character is insufferable when it comes to motherhood. I couldn’t believe how many times she left her child with a nanny so that she could go on a ski-vacation in the Alps or attend the running of the bulls in Spain. The worst was when the boy had whopping cough and had to be quarantined, rather than stay with him through the difficult time, she called on the nanny to come and nurse him better so she could go out in the evening for drinks with their group. Maybe that was the norm for their set in Paris in the 20s, but it did not make her a sympathetic character.

While name-dropping is not normally looked upon as a social grace, in Paula McLain’s The Paris Wife it is a compelling aspect of the Hemingway-centered narrative. Cameos are made by Ezra Pound, F. Scott Fitzgerald, James Joyce and Gertrude Stein, just to name a few. Reading this book was like watching an ensemble cast movie, with all the top names of the day signing on to a single project. But unlike many of these Hollywood heavy-hitter filled movies where a lot of A-list names aren’t enough to satisfy the viewer, readers of this book walk away intrigued and ready to read more about each character. At times, both Hadley and Hemingway are hard to stomach, and the whole book leaves me feeling a bit more negative towards Hemingway as a person, the book is an entertaining read, both historical and literary points of view. McLain’s The Paris Wife earns:

 

The Unquiet by Jeannine Garsee

The Unquiet by Jeannine Garsee

If you are one to skip to the “shell rating” at the bottom before reading the review itself, I think it is only fair for me to include a bit of a disclaimer on this one. There is no gentle way to put this, no beating around the bush, no softening of the harsh reality. I am a chicken. I can’t watch scary movies; heck, I can’t even watch the commercials/trailers for scary movies. I hate being the last one awake at night, which works out well since my husband is a total night owl. And I can’t handle creepy books. I read James and the Giant Peach when I was in elementary school and woke up to nightmares about gargantuan bugs having a tea party in my bedroom.  That is the extent of my wimpy-ness. So, while the shell-rating isn’t as high as one might hope for in a book review, keep in mind much of that designation has its foundation in the fact that for many years, I considered Roald Dahl’s writing to fall firmly in the horror genre.

The Unquiet is creepy. That is the first and most important thing a reader should know. The tale centers on Rinn, a teenage girl who has recently moved back to her mom’s hometown in middle America from a sunny southern California upbringing. The move is precipitated by the fact that her mother and adopted father are having some marital problems, stemming from the fact that Rinn, a bipolar teenager who has experienced psychotic episodes, accidentally started a fire that killed her grandmother. After the death of her grandmother, Rinn tries to kill herself. Once she is released from the care of the mental ward of a hospital, her parents decide some time apart and away would be best for everyone.

Rinn, while not thrilled with the move, soon makes friends at her new high school, which is odd in itself, as she was never the stereotypical social butterfly. But, not long after moving in, she learns that the school is haunted by a girl who died in the pool. That doesn’t necessarily set off any alarms for Rinn, but when she learns that the dead girl’s grandmother hanged herself in the bedroom Rinn now sleeps in, things start to spiral out of control.

The sleep Midwestern town is suddenly plagued by inexplicable accidents and deaths and Rinn is tied up in the middle of all of them.  She and her new friends (who as characters are rather flat and underdeveloped, but that is a whole different discussion) seem to be the epicenter for the evil that emanates from the pool room.

Some will love the creep factor that this book offers. It kept me awake more than one night this last week. But, that isn’t all Garsee’s novel has to offer. Instead of just being your run of the mill horror story, it tackles the issue of mental illness in teenagers, a tough subject, but one that is a reality for some young adults. Watching Rinn struggle with her perceptions of reality and the side effects of her medication create a deeper story than if the author just stuck with a teenage ghost story. This element of the novel creates some redeeming moments that make me more apt to recommend it to students.

In the end, Jeannine Garsee’s The Unquiet, is a more than a bit spine-chilling, but that is the point, after all. If a few nights of curled up under the blankets covered in goose bumps and jumping at every creak of the house sounds like a good read to you, this is your book. While I understand the draw, it is not my cup of tea, so The Unquiet earns:

Jake and Lily by Jerry Spinelli

Jake and Lily by Jerry Spinelli

Twins. It is not a new topic for fiction, especially not  for young adult fiction, so Jerry Spinelli breaks no ground with his newly released novel, and yet,  even knowing that the same-birthday sibling world has been explored numerous times, if you are going to go there again as an author, you need to create something new. Spinelli attempts to make his mark in the twins-literature world by having pre-teen, differing-sex, opposite ends of the personality-spectrum kids tell their story in a first-person point of view through alternating chapters.

It’s a shtick.

A shtick I could get behind in other circumstances, if it was done well. (My going-into-sixth-grade niece was working on a book this summer and she was considering narrating the story from two points of view-one human and one animal-in an alternating chapter format. She was on to something. She’s also eleven years old.) But really, the format isn’t the problem as much as the stereotypical portrayal of twins.

I’ve known twins, not ever been super close friends with any, but I’ve been around them growing up and through my adult life. I realize they have a special connection, but the story told by Jake and Lily is one made for Maury Povich! They can read each other’s minds, they sleepwalk to the same destinations and they can never, ever play a game of hide-and-go-seek.

Outside of its stereotypical twin-ness, the tale is a great one that will be relatable for many middle school kids. Jake and Lily are siblings, and also best friends, but as they get older, their interests differ and they begin to grow apart, which Jake is fine with, but the transition becomes a painful one for Lily, who feels deserted and left behind. This type of relationship transition is as common as pimples amongst the middle-school demographic. As kids expand beyond the world of elementary school, their personalities evolve and old friendships don’t quite fit like gloves anymore.  The twin-part is irrelevant.

On top of the expansion and evolution of friendships, Spinelli digs into the ever-more-talked-about world of bullying. His presentation of the bullies is one that rings true. The boys don’t start out trying to be mean, but a small comment from one, which garners a laugh from the others, grows into ever bigger words and actions that quickly become hurtful to others. The group of boys being bullies didn’t start out with that as their intention, but though a single leader, with a strong personality, the boys all soon fall into his patterns, accepting his actions until property destruction brings their behavior into a new light.

Jake and Lily is a great young adult novel that explores themes near and dear to the hearts of those entering the scary world of middle school. Most kids pushing the boundaries of adolescence will feel the pain of changing friendships, will experience the sting of bullying (on one or, more likely, both ends) and will be forced to expand their own horizons. Jerry Spinelli does a great job of illuminating what could be considered rather mundane, day-to-day growing pains, giving them the spotlight to shine in the eyes of the readers.

If only he would do it without the twin-gimmick…

Jerry Spinelli’s newest publication, Jake and Lily earns:

 

 

Water for Elephants by Sarah Gruen

Water for Elephants by Sara Gruen

I feel like a late-blooming middle schooler on this review. The new kid came to school, was a hit, so popular it made the A-team of actors/actresses in its movie form; all the while I was sitting on the bleachers, engrossed in pursuits that fully ignored the cool kid. Coming to Water for Elephants late, I was wary- it became too big, too popular and too commercial- was it really any good?

The answer is an unequivocal, yes!

If, like me, you ignored this book when it first came out (although judging from it sales, I may have been the only one) it is not too late to run away with the circus.

Water for Elephants is a beautifully written tale, told by Jacob Jankowski,  an old man (either ninety or ninety-three) sitting in a retirement home in the twilight of his life, watching a big top go up in the parking lot across the street, reminiscing about his days with a traveling circus. The story jumps from his present situation of declining mental capacity and depression to the beginning of the end of the heyday of the traveling menageries, where our narrator worked as a vet, fell in love with a performer and watched the demise of the Benzini Brothers Most Spectacular Show on Earth.

Jacob’s personal tragedy leads him away from the Ivy League school where he was about to graduate with a veterinarian’s degree and to the Benzini Brothers’ show, where he joins first the ranks of the working men, but soon is embroiled in a web of intrigue with the Marlena, her husband August, and the newest addition to the menagerie, Rosie, an Polish-understanding elephant.

What I loved about this book was the depth of the connections between characters. When Jacob’s world crumbled around him after the sudden death of his parents, his despair is palpable. When Marlena and August’s relationship comes to a tipping point, there is no denying the hurt and betrayal, but also the relief and freedom she feels after making her decision.  When Camel must be protected from Big Al’s ruthless “red-lighting” of unwanted workers, compassion and subterfuge take over.

Rosie, the circus elephant, is every bit as much a character in this book as Jacob, Marlena, August or Uncle Al. We feel her deep connections to the various human characters and her pain when she is treated treacherously and abusively. The wheels turning in her head are as obvious as if she were a person placed in similar circumstances. As the pain builds, there is no denying the emotional pain that goes in to her eventual resolution of the situation at hand.

Sarah Gruen’s novel’s sensational popularity is not unearned. It is a tale of romance and mystery, of the happiest place on Earth turned abusive and lethal, and of an old man reconnecting with his roots before it is too late.  As I read this tale, I was enraptured, just a like a child would be sitting next to the center ring under the big top, eating pink flossy cotton candy off of a paper stick and slurping lemonade from a plastic cup, and for this, the Water for Elephants earns:

 

 

 

Catherine the Great: Portrait of a Woman by Robert K. Massie

Catherine the Great: Portrait of a Woman by Robert K. Massie


If it is drama you crave, Russian history is probably one of the best non-fiction outlets for your desire.  It is filled with love and betrayal, possible marriages and definite assassinations, and intrigue beyond what Hollywood can manufacture. Catherin the Great: Portrait of a Woman covers all of these possibilities, as well as a glance at ancient frenemies, haters, posers and every other modern label for the spectacle-loving folks!

Catherine, originally Sophia, born in 1729, had ties to European nobility through her mother, but it took a summons from Russia for her to ascend to the rank of empress. But such a monumental climb would take years, as well as royal amounts of patience on her part. After her betrothal and eventual wedding to the decidedly undesirable (both in physical and emotional contexts) Peter III, Catherine is forced to bend to the will of her over-bearing mother-in-law and her immature new husband.

After the death of Empress Elizabeth, it quickly becomes apparent that Peter is not fit for the throne. He doesn’t have the intelligence, the interest or stamina one would need to rule a country as large and diverse as Russia in the mid 1700’s. With his true love remaining in his native Europe, Peter aligns himself with countries out of nostalgia rather than through a determination of what is strategically the best for his adopted country. When this mindset of ruling starts to show cracks, it doesn’t take long for the strong-willed Catherine to step in, take control of the court and crown herself Empress Catherine II.

Catherine the Great follows the empire-leader from the time she was a young girl, a mere teenager, called away from her family by the Empress Elizabeth to be the wife of the empress’ nephew and future successor, Peter III, to the stroke that eventually took her life. Throughout these decades, readers are treated to not only Catherine the Great’s political dealings, but her personal triumphs and failures as well.

Massie’s book has an extraordinary amount of detail in it, which is both its top asset, as well as one of the biggest detractions. While I was fascinated with where Catherine (then Sophia) came from and her rise to power and fame, at times the digressions into history, philosophy and personal dalliances became a distraction to her tale. While there is no way to whittle the life of a royal down to a few hundred pages, I feel as though Massie could have edited some of the divergences, which at times rambled down paths that, while illuminating specific points of Russian history, were not necessary for the reader to understand Catherine’ s trek to the throne.

With much of my Russian history being the much more current studies in most curricula today, including the time of USSR and the Cold War, Catherine the Great was a fascinating tale of one woman’s triumph over a deadbeat husband and her rise to the ultimate seat of authority. Robert K. Massie has crafted a biography that reads as smoothly as a work of fiction, drawing the reader in to the tale of the ancient Russian royalty’s inner lives and political leanings. While I believe a bit of editing would have created a more finely tuned tale, Massie’s Catherine the Great: Portrait of a Woman is a solid biography of a bold woman, earning it: